USA - 1940s - Peggy Lee finishes singing "It's A Good Day" at a recording studio.
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USA - 1940s - Accordionist Lawrence Welk leads his band in a nightclub performance of "Ain't She Sweet" while people dance (narrated in 1956).
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USA - 1940s - Lawrence Welk's band concludes a performance of "Ain't She Sweet?" at a nightclub as people dance.
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USA - 1940s - A clarinetist in Gene Krupa's band concludes a solo while Krupa drums in their rendition of "Jungle Madness."
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USA - 1940s - A trumpet player finishes his solo during Gene Krupa's band's performance of "Jungle Madness" (narrated in 1956).
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USA - 1940s - Gene Krupa drums alongside his clarinetist.
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USA - 1940s - Johnnie "Scat" Davis concludes singing "Praise the Lord and Pass the Ammunition" (narrated in 1956).
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USA - 1940s - Johnnie "Scat" Davis begins singing "Praise the Lord and Pass the Ammunition" (narrated in 1956).
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USA - 1930s - Hal Kemp's jazz band concludes playing in a nightclub with dramatic shadows.
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USA - 1940s - Jimmy Dorsey leads his jazz band on the clarinet (narrated in 1956).
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USA - 1930s - A saxophonist solos in the conclusion of a boogie woogie number by Bob Chester's band.
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USA - 1930s - Boogie woogie bandleader Bob Chester lets another saxophonist upstage him.
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USA - 1930s - Hal Kemp's jazz band begins playing in a nightclub with dramatic shadows.
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USA - 1940s - Trumpeter Henry Busse solos with his band at a nightclub, with his instrument both muted and not.
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USA - 1930s - Bob Chester's pianist and saxophonist take solos in an improv performance (narrated in 1956).
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USA - 1940s - Trombonists are featured in a nightclub performance of Henry Busse's band before Busse begins a muted trumpet solo.
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USA - 1940s - Trumpeter Henry Busse begins a performance of "Hot Lips," backed by his band at a nightclub (narrated in 1956).
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USA - 1940s - Isham Jones' band concludes a jazzy rendition of Liszt's Hungarian Rhapsody Number 2.
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USA - 1940s - Betty Hutton dances before she finishes singing "The Dipsy Doodle" with Vincent Lopez's jazz band.
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USA - 1940s - Betty Hutton begins singing "The Dipsy Doodle" backed by Vincent Lopez's jazz band (narrated in 1956).
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USA - 1940s - Bob Crosby leads his band in a swing number at a nightclub while couples dance, and a clarinetist solos.
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USA - 1940s - Bob Crosby sings "How'd You Like It?" at a nightclub where couples dance to his band (narrated in 1956).
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USA - 1930s - Louis Prima closes out a Dixieland jazz band performance with a trumpet solo.
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USA - 1930s - Louis Prima begins singing and scatting through "Chinatown, My Chinatown," then his clarinetist and pianist take solos.
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USA - 1930s - Louis Armstrong sings the introduction to "That's Why They Call Me Shine" while dressed in leopard print (narrated in 1956).
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USA - 1940s - Ina Ray Hutton dances to her all-female band's performance of "Truck It."
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USA - 1930s - In this musical, Louis Armstrong plays the trumpet in leopard print for a cigar-smoking African king.
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USA - 1940s - Russ Morgan begins a muted trombone solo on "Wabash Blues" (narrated in 1956).
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USA - 1930s - Red Nichols plays cornet as his band performs "When a St. Louis Woman Comes Down to New Orleans" (narrated in 1956).
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USA - 1940s - Ina Ray Hutton's all-female jazz band begins a performance of "Truck It" (narrated in 1956).
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USA - 1930s - An African-American a capella quartet mimics instruments during a sing-along of "I Ain't Got Nobody."
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USA - 1930s - A soloist in an African-American singing quartet takes a verse in a sing-along to "I Ain't Got Nobody."
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USA - 1930s - Tap dancers Bessie Dudley and Florence Hill begin performing with Duke Ellington's band (narrated in 1956).
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USA - 1930s - A trumpet player and trombonist in Duke Ellington's band solo on "Stormy Weather."
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USA - 1930s - Duke Ellington's band concludes a performance of "Stormy Weather," set to imagery of rainfall (narrated in 1956).
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USA - 1930s - An African-American singing quartet introduces the concept of a sing-along (narrated in 1956).
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USA - 1930s - Tap dancers Bessie Dudley and Florence Hill conclude a performance with Duke Ellington's band (narrated in 1956).
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USA - 1930s - Duke Ellington's jazz orchestra concludes a performance at the Cotton Club.
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USA - 1930s - Duke Ellington's band plays at the Cotton Club while a narrator lists off some of the musicians he taught (narrated in 1956).
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USA - 1930s - Cab Calloway's band performs "The Ghost of Smoky Joe" at the Cotton Club.
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USA - 1930s - Rudy Vallee and the Connecticut Yankees begin a performance of "You'll Do It Someday, So Why Not Now?" (narrated in 1956).
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USA - 1930s - Rudy Vallee plays a saxophone solo before swapping out for a clarinet during his band's rendition of "You'll Do It Someday, So Why Not Now?"
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USA - 1940s - A jazz drummer lets loose while a narrator describes the improvisational nature of the genre.
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USA - 1930s - Cab Calloway's band performs at the Cotton Club (narrated in 1956).
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USA - 1943 - A man sings with a big band jazz orchestra to a woman.
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USA - 1943 - A man sings with a big band jazz orchestra to a woman.
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USA - 1935 - In this musical comedy, a woman pretends to faint and a conductor gives them his conductor wand. Three men play piano and sing with the jazz band.
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USA - 1935 - In this musical comedy, people dance in a grand hall to jazz music. Horn players solo and the conductor waves a wand.