ITALY - 1951 - In this musical mystery, a mariachi band play guitars and a man sings to a woman.
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ITALY - 1951 - In this musical mystery, a woman sings with a band in a restaurant. Cowboys enter and sing with her.
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ITALY - 1951 - In this musical mystery, a man dressed as a cowboy lassos a painted donkey and pulls in a woman to sing a song in a restaurant.
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ITALY - 1951 - In this musical mystery, a mariachi band play guitars and a man sings to a woman at a table. She starts to sing with him.
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ITALY - 1951 - In this musical mystery, a man in a tuxedo sings to a woman on a balcony.
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ITALY - 1951 - In this musical mystery, a man in a tuxedo sings to a woman. She drinks holds a glass of milk. String players walk into a courtyard playing to them. He sings to her.
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USA - 1940s - Trombonists are featured in a nightclub performance of Henry Busse's band before Busse begins a muted trumpet solo.
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ITALY - 1951 - In this musical mystery, a man in a tuxedo sings to a woman on a balcony.
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USA - 1940s - Trumpeter Henry Busse begins a performance of "Hot Lips," backed by his band at a nightclub (narrated in 1956).
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ITALY - 1951 - In this musical mystery, women stand in a courtyard and a man dressed as a cowboy speaks with them. He leaves singing with one woman.
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USA - 1940s - Isham Jones' band concludes a jazzy rendition of Liszt's Hungarian Rhapsody Number 2.
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ITALY - 1951 - In this musical mystery, women stand in a courtyard and a man comes in singing.
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USA - 1940s - Betty Hutton dances before she finishes singing "The Dipsy Doodle" with Vincent Lopez's jazz band.
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USA - 1940s - Betty Hutton begins singing "The Dipsy Doodle" backed by Vincent Lopez's jazz band (narrated in 1956).
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USA - 1940s - Bob Crosby leads his band in a swing number at a nightclub while couples dance, and a clarinetist solos.
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USA - 1940s - Bob Crosby sings "How'd You Like It?" at a nightclub where couples dance to his band (narrated in 1956).
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USA - 1930s - Louis Prima closes out a Dixieland jazz band performance with a trumpet solo.
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USA - 1930s - Louis Prima begins singing and scatting through "Chinatown, My Chinatown," then his clarinetist and pianist take solos.
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USA - 1930s - Louis Armstrong sings the introduction to "That's Why They Call Me Shine" while dressed in leopard print (narrated in 1956).
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USA - 1940s - Ina Ray Hutton dances to her all-female band's performance of "Truck It."
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USA - 1930s - In this musical, Louis Armstrong plays the trumpet in leopard print for a cigar-smoking African king.
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USA - 1940s - Russ Morgan begins a muted trombone solo on "Wabash Blues" (narrated in 1956).
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USA - 1940s - Ina Ray Hutton sings "Truck It," backed by her all-female band.
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USA - 1930s - Red Nichols plays cornet as his band performs "When a St. Louis Woman Comes Down to New Orleans" (narrated in 1956).
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USA - 1940s - Ina Ray Hutton's all-female jazz band begins a performance of "Truck It" (narrated in 1956).
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USA - 1930s - An African-American a capella quartet mimics instruments during a sing-along of "I Ain't Got Nobody."
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USA - 1930s - A soloist in an African-American singing quartet takes a verse in a sing-along to "I Ain't Got Nobody."
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USA - 1930s - An African-American singing quartet performs the first verse in a sing-along to "I Ain't Got Nobody."
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USA - 1930s - Tap dancers Bessie Dudley and Florence Hill begin performing with Duke Ellington's band (narrated in 1956).
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USA - 1930s - A trumpet player and trombonist in Duke Ellington's band solo on "Stormy Weather."
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USA - 1930s - Duke Ellington's band concludes a performance of "Stormy Weather," set to imagery of rainfall (narrated in 1956).
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USA - 1930s - An African-American singing quartet introduces the concept of a sing-along (narrated in 1956).
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USA - 1930s - Tap dancers Bessie Dudley and Florence Hill conclude a performance with Duke Ellington's band (narrated in 1956).
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USA - 1930s - Duke Ellington's jazz orchestra concludes a performance at the Cotton Club.
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USA - 1930s - Duke Ellington's band plays at the Cotton Club while a narrator lists off some of the musicians he taught (narrated in 1956).
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USA - 1930s - Cab Calloway's band performs "The Ghost of Smoky Joe" at the Cotton Club.
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USA - 1930s - Rudy Vallee and the Connecticut Yankees begin a performance of "You'll Do It Someday, So Why Not Now?" (narrated in 1956).
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USA - 1930s - Rudy Vallee plays a saxophone solo before swapping out for a clarinet during his band's rendition of "You'll Do It Someday, So Why Not Now?"
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USA - 1940s - A jazz drummer lets loose while a narrator describes the improvisational nature of the genre.
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USA - 1930s - Cab Calloway's band performs at the Cotton Club (narrated in 1956).
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USA - 1920 - In this silent film, a woman holds her ears as people at a bar eat soup and shows them a musical staff. She conducts them.
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USA - 1943 - In this comedy film starring Leo Gorcey, couples compete at a dancing competition as judges watch their performance.
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USA - 1943 - In this comedy film starring Leo Gorcey, a couple win a dance competition when they do a flip and one of them lands in the splits.
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USA - 1943 - In this comedy film starring Leo Gorcey, a woman sings and dances while a band accompanies her as they perform at an assembly.
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USA - 1929 - In this musical comedy, a man and woman joke about nuts and sing a song while dancing. They talk about lamb chops.
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USA - 1929 - In this musical comedy, a man and woman end their show and the woman tells the man a secret.
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USA - 1929 - In this musical comedy, a woman beats a man to his punchlines while telling jokes.
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USA - 1929 - In this musical comedy, a man a woman sing together swaying in a room. The woman holds her dress up while the man hums and they dance.